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- BELLINI, Vincenzo (1801-35); ITA
[all files]
- 6 ariette da camera (1829)
- GLUCK, Christoph Willibald von (1714-87); DEU
[all files]
- HANDEL, George Frideric (1685-1759); DEU/ENG
[all files]
- Amadigi di Gaula, HWV.11
- Messiah, HWV.56
- Rinaldo, HWV.7
- Te Deum ("Dettingen") in D, HWV.283
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Dignare
[2:24 · 2.2M]
- O.Ryabets, Male Soprano
- A.Konstanidi, Piano
- Xerxes (Serse), HWV.40
- KAKO, Takashi; JPN
[all files]
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Aria in the Desolated Field
[4:28 · 4.1M]
- O.Ryabets, Male Soprano
- Tokyo Philharmonic Chorus
- T.Kako, Piano
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Canon of the Lights
[3:26 · 3.1M]
- O.Ryabets, Male Soprano
- E.Hiramatsu, Soprano
- E.Shiratori, Voice
- T.Kako, Piano
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Ocean Road
[4:44 · 4.3M]
- O.Ryabets, Male Soprano
- T.Kako, Piano
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El viento de Gibraltar
[4:57 · 4.5M]
- O.Ryabets, Male Soprano
- Tokyo Philharmonic Chorus
- T.Kako, Piano
- KOBEKIN, Vladimir; RUS
[all files]
- The Song of Songs, for 3 sopranos and chamber ensemble
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1.Let him kiss me with the kisses of his mouth.
[6:36 · 6.0M]
- O.Ryabets, Male Soprano
- Y.Voznesenskaya, Soprano
- Y.Lisenkova, Soprano
- Y.Brazhnik, Conductor
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2.I am a rose of Sharon, a lily of the valley.
[9:03 · 8.3M]
- O.Ryabets, Male Soprano
- Y.Voznesenskaya, Soprano
- Y.Lisenkova, Soprano
- Y.Brazhnik, Conductor
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3.All night long on my bed I looked for the one my heart loves.
[8:34 · 7.8M]
- O.Ryabets, Male Soprano
- Y.Brazhnik, Conductor
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4.How beautiful you are, my darling.
[11:45 · 10.8M]
- O.Ryabets, Male Soprano
- Y.Voznesenskaya, Soprano
- Y.Lisenkova, Soprano
- Y.Brazhnik, Conductor
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5.I slept but my heart was awake.
[6:42 · 6.1M]
- O.Ryabets, Male Soprano
- Y.Voznesenskaya, Soprano
- Y.Brazhnik, Conductor
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6.Where has your lover gone, most beautiful of women.
[7:35 · 6.9M]
- O.Ryabets, Male Soprano
- Y.Voznesenskaya, Soprano
- Y.Lisenkova, Soprano
- Y.Brazhnik, Conductor
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7.How beautiful are your sandaled feet.
[12:26 · 11.4M]
- O.Ryabets, Male Soprano
- Y.Voznesenskaya, Soprano
- Y.Brazhnik, Conductor
- MOZART, Wolfgang Amadeus (1756-91); AUT
[all files]
- Le nozze di Figaro (opera)
- PERGOLESI, Giovanni Battista (1710-36); ITA
[all files]
- Stabat Mater, for soprano, alto and strings (1736)
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Aria No.1
[2:05 · 1.9M]
- O.Ryabets, Male Soprano
- A.Konstandtinidi, Piano
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Aria No.3
[4:23 · 4.0M]
- O.Ryabets, Male Soprano
- A.Konstandtinidi, Piano
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1.Stabat mater dolorosa
[4:45 · 4.4M]
- O.Ryabets, Male Soprano
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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2.Cujus animam gementem
[2:09 · 2.0M]
- O.Ryabets, Male Soprano
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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3.O quam tristis et afflicta
[2:31 · 2.3M]
- O.Ryabets, Male Soprano
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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4.Quae moerebat et dolebat
[2:22 · 2.2M]
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
-
5.Quis est homo
[2:59 · 2.7M]
- O.Ryabets, Male Soprano
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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6.Vidit suum dulcem natum
[4:04 · 3.7M]
- O.Ryabets, Male Soprano
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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7.Eja mater fons amoris
[2:21 · 2.2M]
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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8.Fac, ut ardeat cor meum
[2:16 · 2.1M]
- O.Ryabets, Male Soprano
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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9.Sancta Mater, istud agas
[5:40 · 5.2M]
- O.Ryabets, Male Soprano
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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10.Fac ut portem Christi mortem
[3:51 · 3.5M]
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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11.Inflammatus et accensus
[2:34 · 2.4M]
- O.Ryabets, Male Soprano
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
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12.Quando corpus morietur
[4:16 · 3.9M]
- O.Ryabets, Male Soprano
- V.Kagan-Palei, Contratenor
- A.Semenov, Organ
- Vivaldi Chamber Orchestra
- S.Bezrodnaya, Conductor
- PURCELL, Henry (1659-95); ENG
[all files]
- ROSSINI, Gioacchino Antonio (1792-1868); ITA
[all files]
- Les soirées musicales (1835)
- SCARLATTI, Alessandro (1660-1725); ITA
[all files]
- VERDI, Giuseppe (1813-1901); ITA
[all files]
- VIVALDI, Antonio (1678-1741); ITA
[all files]
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Oleg Ryabets
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Oleg Ryabets was born in Kiev, Ukraine in 1967 and studied voice at Kiev State Conservatory, and then the Moscow State Academy of Music, graduating in 1994. His teachers have included Claudia Radchenko and Zara Dolukhanova. As these recordings illustrate, Mr. Ryabets possesses an extraordinary soprano voice (up to a high c), which he has used to great acclaim in such roles as Amour in Gluck's Orpheus (St. Petersburg, 1993), the soprano in Pergolesi's Stabat Mater (Moscow & Prague, 1992-93), Irina in the premier of Trois Soeurs by P.Eötvös (Lyon, 1998), and the role of Count Myshkin in Vladimir Kobekins' The Idiot - created especially for him. Mr. Ryabets has given numerous recitals in Moscow and St. Petersburg, including one for a rare visit by Queen Elizabeth II, as well as in London, Vienna, and elsewhere. Mr. Ryabets insists he is a not a contratenor, but rather a sopranist - and perhaps the only one of in the world. At the rate at which he is dazzling audiences, he will soon be commanding those prestigious operatic roles by Handel, Scarlatti, and Mozart written originally for castrati. Oleg Ryabets is clearly an operatic sensation in the making!
Reviews
"His singing voice is hard to describe. It has an androgynous quality, as if the most mature, expressive boy chorister had soared up and up, faultlessly into the coloratura ledger-lines."
The Sunday Telegraph (London)
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